My sprite outline shifts, like low bit rate video, Once solid, it now divides, slides and pixelates, My voice glitches and over compresses, Wet peaking audio, pumps and squelches, The pixelated wave, smears and bends, Before black suddenly fills the array, All sound mutes, feeding silence starved ears, IRL the world is fabricated, controlled, and artificial, And we are all just NPCs in the game of life.
The streets are dark and desolate at this time of morning, The cold wind whips up dust and discarded plastic.
A street pumper hovers into place, and dirty yellow hoses are ejected, Ground bolts secure the machine as it empties its tank.
The operator is dirty, pale and unshaven, Puffing vape smoke into the cold air.
A dim white light from inside his visor illuminates his bearded face, His expressionless eyes following a lone passerby.
The blue glow of the walker’s umbrella cane is distracting, Its light reflecting in puddles and across wet window glass.
Clad in a long, unassuming black coat, The pedestrian walks on, passing beneath the superstructure of a building and into a narrow lane.
Posters of desperation and entertainment cover the walls, Layered one over another in a chaotic collage of Central City life.
Phosphorescent kanji graffiti adds another glowing layer to the passage, While a narrow slit of white light spills from a doorway onto construction waste and broken pavement.
Rain puddles shimmer amongst the chaos, Catching sudden bursts of colourful neon as advertising signs buzz and alternate overhead.
The reflections flicker across the walker’s dark glasses And briefly illuminate their otherwise expressionless face.
Stepping from the lane onto the main street, The walker waits.
Two teenage punks on illuminated hover scooters Zip silently past.
The walker crosses the street And disappears back into the shadows.
Soon, the journey ends.
A large black metal door stands ahead.
Unlike the surrounding walls, It is completely free of graffiti.
The wind catches the pedestrian’s coat.
For an instant, beneath the black fabric, The outline of weaponry is visible.
The walker stops.
Dark glasses are lifted.
A thin red retinal scanner beam passes across the face.
A soft electronic tone sounds.
The display changes:
鬼Guǐ (Ghost) –Syndicate Member 32549 Entry granted.
In this metropolis the sky is made of constant rain-soaked night, Reflecting neon, shines in puddles and on pale weary faces, The city streets are crowded, as people escape cell-like apartments, Some shelter under awnings, or huddle, begging in doorways, Many face the rain beneath illuminated umbrellas, or dark hoods, People are the landscape, they pack pedestrian bridges and fill arcades, They shout from balconies above, fighting to be heard, Shady deals are made in the sprawling city’s dark corners, Under skyscrapers covered in illuminated signage that pierce the clouds, The narrow street markets burst at the seams offering their wares, What you can’t afford to buy, you must trade to obtain, or steal, Becoming overwhelmed is easy, commercials float in the sky, Digital advertising, posters, speakers, announcements, music, sirens, A million plus sounds all echoing at once, The darkness delivers exceptional sensory bombardment, City stench is pungent, street cooking combines with vehicle fumes, Litter lines the streets, stirred by slow ineffective street sweeping vehicles, Busy crossings speak and beep, police with LED batons direct traffic, There’s nothing you can’t get here on the black market, crime is rife, Life here is sickening, unemployment is high, and desperation fills the air, There are red-light districts, body modification districts, and worse, Everybody here is hustling just to stay alive, this city eats people up, Homeless die silently in alleyways, addicts overdose on pavements, It’s one of the last remaining fully intact cities following the machine war, This is Grove Zero (G0), Central City, the murderous heart of the new colony.
Dusk falls across a tired, dusty rural landscape, The long shadows of late afternoon have faded into grey.
In the distance, the bright lights of Central City flicker to life, Illuminating the sky as the distant chaos of the metropolis rises to a murmur.
There is comfort in being isolated, Distant from humanity, away from the energy, constant sound and movement of the city.
Technology still exists in this rural space, But it is subtle, used where needed, functionality valued above convenience.
Out here, technology is for survival, There are no unnecessary body modifications or implants, although some city escapees still carry them.
Out here, chop-shops are largely a city thing, The people of the Groves have little interest in replacing flesh simply because they can.
Grove 18, or G18, lies some distance from the hot spot of Central City, G0, And since the war, most people here remain cautious of machines and what they are capable of.
Yet salvaged technology has found a new purpose, Repurposed for farming, transport and survival rather than destruction.
Various forms of hover vehicles have replaced the wheels and tyres of the old world, An important development when the surviving roads are overgrown, broken and slowly disappearing.
Hov bikes belonging to raider crews can still threaten isolated farming communities, But the Syndicates keep them in check, for a price.
A cut of your proceeds.
That is the arrangement.
Pay your Syndicate, And your property remains standing.
Don’t pay, And your farm may burn.
Or worse, You and your family may be deleted.
It is an uneasy peace, But peace nevertheless.
Beyond the settlements and cultivated fields, Nature remains savage and beautifully untameable.
Forests reclaim the dead townships, Their roots pushing through concrete and rusting machinery, creating new habitats and hiding secrets beneath the canopy.
Wild creatures move through abandoned buildings, While moss and vines slowly consume the remnants of the world that came before.
The grey new world is brutal and unfair, But there is something honest about its cruelty.
Nothing here promises to be kind.
Nothing here promises to be safe.
Yet the sun still sets, The forests still grow, The hovs still hum across the broken roads,
And somewhere beyond the distant glow of Central City, Another night begins.
Beyond my machine world the Infinite Black, exists 'A Grey New World', a dystopian future set following the war with the machine hellworld as outlined in my art series, and book I co-created with Jeff Oliver.
I have been (very) slowly fleshing out all aspects of this new post apocalyptic world for a while now, and I will continue to release parts of it here. The final product will consist of poetry, art and short stories.
Welcome to the future, where clocks now strike thirteen, Individualism is no longer celebrated, That human condition has been politically corrected, One central government keeps humanity in stasis, One totalitarian leader wields blind control, Sprawling interconnected megacities rise, Tech controls the nihilistic mindset of a dead generation, People disappear by night without warning, Artists, journalists, writers, free thinkers, Lives are deleted as the world embraces sterility, Psychological pharmaceuticals are outlawed, Desperation fills crowded dystopian city streets, Populations sleep in instability, controlled by fear, Supervised, manipulated, punished, This is not the promised bright new world, This is despotism, This is now.
I feel like I have been jettisoned, Newly arriving on an alien landscape, Here, beings exist that are not of my make, They behave in a confusing manner, Their language is untranslatable, Their beliefs, the opposite of my own, It is as though each being is a planet, All squeezed into one tiny galaxy, With no room for expansion, No space for personal expression, No room for creativity, There is no place for your opinion here, There is no silence, it is deafeningly loud, Life is like closing my eyes while watching a movie, And it rolls on regardless, This, is now.
Each pay flows quicker than liquid mercury, Removed from accounts with electronic surgery, Payments for toil that instantly disappear, And it’s becoming worse everywhere year by year, The world is more broken than ever before, It’s like we are living through Orwell’s 1984, How can we possibly hope to retire? The future seems dark and the finances dire, When the basics are getting so hard to acquire, We are just banknotes burning on life’s funeral pyre.
The world feels like it’s on fire, Greed and stupidity pollute the air, People suffer the reign of megalomaniacal pigs, Morally corrupt child-adults influence and advise, Disrespect and violence grow from desperation, The stink of self-entitlement bites at the nostrils, All beauty on Earth is violated by materialistic hunger, Bigotry and self-indulgence are the new faith, The new age of revulsion has begun, Self-immolation is technologically delivered, Mankind’s final act has been scripted and is in play, A dystopia is birthed, screaming and untethered, From this point there is no way back.
There is a hollowness deep inside, A place where I retreat Whenever I need to hide.
There, nothing can reach me. Nothing can wound me. It is a safe and silent place That no one else can see.
Something stirs behind my eyes. Another version of me Slips on a familiar disguise.
While I remain curled within My hollow refuge,
The other me takes my place. He wears my face. He has little interest In what others have to say. He feels nothing For what they wish to convey.
He is my protector, My shield against the storm, Guarding the wounded self within While old fractures slowly mend.
Until something changes, And this hollow space is filled, There will be no warmth, No comfort, No embrace. His words are insincere. His actions are mechanical. He is a wall, Raised between myself And a world grown far too chaotic.
Yet someday, Colour will return to my eyes. The other me will fade As the turmoil subsides. And I will stand once more, Present and unguarded, With no need to hide Within the Keep of Hollowness That I have built inside..